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For Chrissie's final moment, when she's dragged underwater, Spielberg took the ropes himself and pulled Backlinie under without warning. Backlinie noted that given how much she was screaming, no one would ever have known if she was in real danger. Spielberg - who stayed in the cold water with her the whole time - instructed them not to tell Backlinie when they were going to pull. To make it look like the unseen shark was dragging and shaking her, groups of men pulled on the cables, which were attached at her hips and front, yanking her back and forth. Backlinie was topless from the waist up, and from the waist down she wore jeans under a harness connected to cables. However, the scene was more grueling than she might have pictured it from the safety of dry land.

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As she had pointed out to director Steven Spielberg, she knew how to sell the shot. Backlinie got the part because she was a stuntwoman.

Susan Backlinie played Chrissie, the shark's first onscreen victim. But in at least one incident, one of the actors involved suffered very real mental anguish as a result of her director and lead actor's decision to lie to her. Once the actors' heart rates have slowed back to normal, and they've stopped screaming, there's no lasting damage - and audiences have the treat of seeing genuine shock and surprise. In most cases, the lies are pretty benign.

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(Speaking of spoilers, expect to have elements of every movie mentioned in this piece ruined. Sometimes, as in the case of one very popular superhero franchise, the studio has learned from experience that actors tend to struggle to keep spoiler-heavy secrets to themselves. The woman in that scene is Jeanne, played by Maria Schneider, and the film in which it appears is Last Tango in Paris, the 1972 movie, directed by Bernardo Bertolucci, that propelled him, at. That's not the only reason directors lie to their cast.

In these situations, certain directors (mainly Ridley Scott) resort to setting up a scene in such a way that their actors don't fully know what's going to happen. Despite acting being pretty much the full job title of an actor, directors can't always bring themselves to trust their cast to portray emotions convincingly enough for their liking.

Last tango in paris butter scene minute mark